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Collection of books on Welwyn Garden City

Green-Belt Cities. The British Contribution

Author: F. J. Osborn

First published: 1946 by Faber and Faber Limited

Format: Hardback 8¾" by 5½" with 191 pages

This is a town planner's book which discusses the size of towns and the disposition of towns in relation to the countryside. The author Sir Frederic J. Osborn was one of the founders of Welwyn Garden City. Much of the discussion revolves around this town and also Letchworth, the first Garden City of Howard's creation. The text is illustrated by 35 black and white photographs of mostly domestic architecture, but also some of commercial and industrial buildings. The illustrations are below with captions as in the book.

I. LETCHWORTH: HOUSING SCHEMES

In cottage design stringent economy was reconciled with planning for internal convenience, sunlight incidence, and external harmony. The standards thus evolved had world-wide influence.
 

One of the first groups; built 1904.
(Architects, Barry Parker & Raymond Unwin.)

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Low-rented houses built for local authority; 1915.
(Photo: Clutterbuck)

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Low-rented houses for Letchworth U.D.C., 1920.
(Architects, Bennett & Bidwell. Photo, Clutterbuck.)

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II. LETCHWORTH: PUBLIC AND BUSINESS BUILDINGS

The earlier public buildings had the informality of domestic architecture. Later civic and domestic buildings were more formal, but much variety of architectural style was permitted.
 

Mrs. Howard Memorial Hall and Girls' Club; 1905.
(Architects, Barry Parker & Raymond Unwin. Photo, Clutterbuck.)

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Leys Avenue, a main shopping street.
(Various architects. Photo, Studio Lisa.)

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The Estate Office, Broadway; 1913.
(Architects, Barry Parker & Raymond Unwin. Photo, MacKellar.)

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III. LETCHWORTH: FACTORIES

Factory buildings are of great diversity of design and construction. Most were built to the requirements of particular firms. A few were built on adaptable designs for letting in sections as required.
 

The Spirella Factory: a three-storey building for a light industry, surrounded by gardens; built 1912-9.
(Architect, C. H. Hignett. Photo, Clutterbuck.)

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Parachute factory (Irving Air Chute Company); 1934.
(Architect, C. H. Hignett. Photo, Clutterbuck.)

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Factories for municipal service vehicles (Shelvoke and Drewry) and Hollerith tabulators (British Tabulating Machine Company); 1920.
(Architect for office blocks, C. H. Hignett. Photo, Donald. Brunt.)

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IV. WELWYN: HOUSING SCHEMES

The prevailing architectural style derives from the Georgian tradition, with which modern influences are fused. As at Letchworth, severe economy was a basic factor. Simple, convenient designs are treated with infinite variety in layout and skilful planting. The three examples shown are schemes by housing societies. Many schemes have also been built by the local authority.
 

A close having open front garden layouts; 1926. All houses have private back gardens.
(Architects, Louis de Soissons and A. W. Kenyon. Photos, J. P. Steele.)

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A square having open front garden layouts; 1928. All houses have private back gardens.
(Architects, Louis de Soissons and A. W. Kenyon. Photos, J. P. Steele.)

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Houses with enclosed front gardens; layout influenced by existing trees; 1926. All houses have private back gardens.
(Architects, Louis de Soissons and A. W. Kenyon. Photos, J. P. Steele.)

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V. THE HOUSE AND GARDEN

A fundamental merit of low-density housing, as against multi-storey dwellings, is direct access from ground-floor living space to gardens at front and back, as illustrated by these typical scenes at Welwyn.
 

A family living-room with window-door to back garden.
(Photo, Studio Lisa.)

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Front gardens in a square.
(Photo, Studio Lisa.)

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Front gardens in a through street.
(Photo, Studio Lisa.)

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VI. GROUPING AND INDIVIDUALITY

The individual design of houses is not necessarily incompatible with harmonious street pictures, if enough care and skill is given to architecture, layout and planting. Three of many solutions of this problem at Welwyn.
 

Detached and semi-detached houses of differing size and design, Guessens Road
(Photo, Studio Lisa.)

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Detached houses, Parkway, successfully atttaining pleasing street or terrace effect.
(Photo, Studio Lisa.)

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Houses designed separately for individual owners, harmonized by use of similar materials and style in woodland setting
(Photo, Studio Lisa.)

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VII. WELWYN: COMMERCIAL BUILDINGS

The main Civic and Buisiness Centre at Welwyn observes a consistent architectural style, with much variety in treatment of façades, openings, shop fronts and the smaller details.
 

Howardsgate, south side: Midland Bank, private shops, and Co-operative Society's stores, with offices over; 1922-34.
(Architects, Louis de Soissons and A. W. Kenyon. Photo, Studio Lisa.)

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North aspect of Welwyn Stores, facing the Campus, with showrooms, offices and residential flats above; 1939.
(Architect, Louis de Soissons. Photo, Studio Lisa.)

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Howardsgate, north side: Post Office and Barclays Bank; about 1930.
(Architects: H.M. Office of Works; and Louis de Soissons and A. W. Kenyon. Photo, Studio Lisa.)

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VIII. WELWYN: SOME OTHER BUILDINGS

The Cherry Tree Restaurant (licensed premises with dance and assembly rooms, dining rooms and tea gardens), the Railway Station, and the first Council School.
 

Cherry Tree Restaurant; 1933.
(Architect, R. G. Muir. Photo, Studio Lisa.)

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Railway Station; 1926.
(Architect for plan, L.N.E.R. Architects' Department; for elevation, Louis de Soissons. Photo, Studio Lisa.)

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First Elementary School for Herts County Council; 1922-6.
(Architects, Louis de Soissons and A. W. Kenyon. Photo, Studio Lisa.)

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IX. WELWYN: FACTORIES

The Welwyn industrial buildings exhibit a wide variety of design and construction. Besides many factories built by firms for particular processes, Welwyn has paid much attention to sectional factories for letting on rental.
 

The Norton Factory, producing grinding wheels and abrasives; kilns right, offices left; 1930.
(Architects, Frost, Chamberlain and Edwards U.S.A. Photo, Studio Lisa.)

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Factory of sectional type; one-storey at rear, two-storey offices in front; 1932.
(Architects, Louis de Soissons and A. W. Kenyon. Photo, Studio Lisa.)

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Two-storey factory, steel frame with concrete walling, originally designed for sectional occupation.
(Architect, A. W. Kenyon. Photo, Studio Lisa.)

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X. WELWYN: FACTORIES

One of the most recent industrial buildings in Welwyn is the Roche Products factory; 1939. The illustrations show the administrative building and laboratories, and the interior of one of the vitamin-synthesizing plants.
 

Administrative building and research laboratories.
(Architect, J. Salvisberg. Photo, Studio Lisa.)

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A vitamin-synthesizing plant.
(Architect, J. Salvisberg. Photo, Fox Photos.)

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XI. STREET PLANTING

In both Garden Cities great care has been given to the choice and arrangement of flowering and ornamental trees, shrubs, hedges, and grass verges. Of innumerable different treatments, three are illustrated. In other streets, beds of roses and other flowers have been successfully maintained.
 

Icknield Way, Letchworth - one of the earliest roads, on the line of an ancient British highway; almonds in flower.
(Photo, Clutterbuck.)

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Parkway, Welwyn: central gardens with double avenues of pleached limes, broken by groups of whitebeams, interspersed with formal beds of roses and Dutch lavender.
(Photo, Studio Lisa.)

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Norton Way, Letchworth: chestnuts in flower.
(Photo, Donald Brunt.)

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XII. SOME INDIVIDUAL HOUSES

While in both towns designs are subject to approval by the City Architects, many architects design houses for individual clients, and the range of inspiration is wide. Three illustrations can give only a faint indication of the characteristic styles.
 

A pair of houses built at Letchworth about 1905 for their own occupation by Raymond Unwin (left) and Barry Parker (right).

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(2) An early Welwyn house showing the Georgian influence; 1923.
(Architect, Louis de Soissons.)

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(3) A somewhat later Welwyn house; 1925.
(Architects, C. H. James and C. Murray Hennell.)

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